Jane Eyre: 04/15/07

2007年4月15日星期日

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Come Back to Accept the Reality----Get Together

Since Jane Eyre left Thornfield Hall, she goes to another place by herself. In that place, Jane found a teaching job with a kind man's help. Within caring by this kind man, Jane fits the

environment of this small town. One day, this kind man shows his love to Jane and he hopes that she could stay with him. However, Jane couldn't forget Rochester, she still loved him. So she decided to go back to Thornfield Hall. Unfortunately, when Jane comes back to the gate of Thornfield Hall, Rochester’s servant saw her and told Jane that Rochester was blinded, and explain that in order to save his wife from the burning house, he was maimed for life. At this time, Jane found Rochester and went to him. She caught Rochester’s hands and said she would look after him forever. It is true love that makes Jane Eyre and Mr.Rochester get together.

A Madwoman in the Attics

A night before the wedding day, Jane and Mr. Rochester share a heart-to-heart. Suddenly, Jane Eyre finds that Mr. Rochester had a wife before 15 years and she still stays in his house.

But, his wife has already been mad and it was Mr. Rochester who looked after her and arranged her for living with him. At this time, Mr. Rochester trys to calm Jane down and makes her believe him anyway. However, JaneEyre can not accept it and she thinks that Mr.Rochester's love can not be trusted and relied. Anyway, Jane understands Mr.Rochester's mood, she aslo wants to give Rochester a hand, but she has no ideas to deal with it expect leave him. Jane even complains and shouts to Mr.Rochester for vent her sorrows, but she still decides to leave him. Before the sun comes, Jane left the Thornfield Hall alone.

Biography of Charlotte Bronte

English writer noted for her novel Jane Eyre (1847), sister of Anne Brontë and Emily Brontë. The three sisters are almost as famous for their short, tragic lives as for their novels. In their works they described love more truthfully that was common in Victorian age England. In the past 40 years Charlotte Brontë's reputation has risen rapidly, and feminist criticism has done much to show that she was speaking up for oppressed women of every age. 'A little, plain, provincial, sickly-looking old maid', is how George Lewes described Charlotte Brontë to George Eliot. She was born in Thornton, Yorkshire, in the north of England. Charlotte was the daughter of an Anglican clergyman who had moved with his family to Haworth amid the Yorkshire moors in 1820. After their mother and two eldest children died, Chalotte was left with her sisters Emily and Anne and brother Branwell to the care of their father, and their strict, religious aunt, Elisabeth Branwell. To escape their unhappy surroundings, the children listened stories about the often violent behavior of the countryfolk. When other children enjoyed to play outdoors, they created imaginary kingdoms, which were built around Branwell's toy soldiers, and which inspired them to create continuing stories of fantasylands of Angria and Gondal.

Angel in the House

The popular Victorian image of the ideal wife/woman came to be "the Angel in the House," who was expected to be devoted and submissive to her husband. The Angel was passive and powerless, meek, charming, graceful, sympathetic, self-sacrificing, pious, and above all--pure. The phrase "Angel in the House" comes from the title of an immensely popular poem by Coventry Patmore, in which he holds his angel-wife up as a model for all women. Believing that his wife Emily was the perfect Victorian wife, he wrote "The Angel in the House" about her (originally published in 1854, revised through 1862). Though it did not receive much attention when it was first published in 1854, it became increasingly popular through the rest of the nineteenth century and continued to be influential into the twentieth century. For Virginia Woolf, the repressive ideal of women represented by the Angel in the House was still so potent that she wrote, in 1931, "Killing the Angel in the House was part of the occupation of a woman writer." The following excerpt will give you a sense of the ideal woman and the male-female relationship presented by Patmore's poem: Man must be pleased; but him to pleaseIs woman's pleasure; down the gulfOf his condoled necessitiesShe casts her best, she flings herself.How often flings for nought, and yokesHer heart to an icicle or whim,Whose each impatient word provokesAnother, not from her, but him;While she, too gentle even to forceHis penitence by kind replies,Waits by, expecting his remorse,With pardon in her pitying eyes;And if he once, by shame oppress'd,A comfortable word confers,She leans and weeps against his breast,And seems to think the sin was hers;Or any eye to see her charms,At any time, she's still his wife,Dearly devoted to his arms;She loves with love that cannot tire;And when, ah woe, she loves alone,Through passionate duty love springs higher,As grass grows taller round a stone. Initially this ideal primarily expressed the values of the middle classes. However, with Queen Victoria's devoting herself to her husband Prince Albert and to a domestic life, the ideal spread throughout nineteenth century society.

Jane Eyre

2007年4月15日星期日

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